Thursday, February 19, 2009

Maestro Petrov


Yesterday in our Wednesday morning conversation, Fr. John expressed something that moved me deeply, having to do with singing in our parish. It evoked the memory of a wonderful Russian Orthodox man, Maestro Jakob Ivanovich Petrov, my first voice teacher, whom I will always revere for what he did for me in 1953. Surely it was he who first evoked the love of beautiful sounds from a classical Russian artist. I was a 19 year old soldier at the Army Language School in Monterey, California, training to become a Russian interpreter. I was also a member of the school Russian choir, mentioned in an earlier post in this blog.

During a period of low morale and unbelief (probably from learning that my high school sweetheart had married someone else) I found myself praying: "Oh God, if there is a God, I want to sing." While I was at it I found myself making a deal with God if he was listening: "I don't want just an ordinary voice, but one that moves people." OK, so that's what I wanted, but what was I willing to give in return? "If you give me such a voice", I offered, "I will not use it for personal financial gain, but for your purposes..." If I felt foolish after voicing such a prayer, I don't remember. But I think I felt better.

Soon thereafter, in a voice lesson warm up with Jakob Ivanovich, I remember singing a particular note in my middle register differently. It was a tone he had been waiting to hear, but he said nothing to distract me. Instead, he stopped the exersize to ask me to sing that note again the same way. I did. Then again. And again. Yet again. This went on for what seemed an insufferably long time and I was getting bored. But Petrov would not let me stop until he was confident that that particular tone was mine. Then I remember him relaxing and quietly saying (in Russian--he spoke no English) "And now we begin!" I had produced my first clear bel canto tone. Then he skillfully helped me anchor that one beautiful tone in my soul until I could produce it at will. From there he helped me expand that first tone into a second tone a note above, then a third tone a note below, of equal quality. His exersizes soon helped me stretch my entire singing range into more than two and a half octaves of similar quality. Soon I was singing as soloist with the choir in concerts all around the Monterey and San Francisco Bay areas while still at the ALS between 1953-1955.

After the Army I studied with Petrov again in San Francisco while an undergraduate engineering student at Berkeley. At the concert posted above in January 1960 in San Francisco, which included me and many of his past, now professional students, I remember telling Maestro Petrov that one day I would return the gift that he had helped me develop to his homeland. Thereafter, I looked for every opportunity I could find to sing to Russians, eventually getting to do so in Moscow, Kanev, Kiev, Riga and elsewhere.


For a translation of the concert poster, see Comment #1.

1 comment:

  1. Translation of poster:

    Saturday, 23 January, 8:30 PM

    CONCERT
    OPERATIC ENSEMBLE
    Under the direction of Maestro
    Jakob Petrov

    Program:
    1. Lenski's Aria and duet with Olga from the opera Evgeny Onegin by Tchaikovsky
    Olga......Galina Shambo (Mezzo-soprano)
    ...
    5. Ruslan's Aria from opera Ruslan and Ludmila by Glinka
    Ruslan....Eugene Kregg-Kovalenko (bass-baritone)

    ReplyDelete